Love Letters’ marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX. Hailed by the Guardian as a “virtuoso sitar player”, Anoushka truly pushes the boundaries of how the instrument is heard and perceived and “uses it as a vehicle for creativity” (Times).
Love Letters documents a time of profound flux for Anoushka: health issues, heartbreak, domestic upheaval – “These were difficult times, which pushed me into some very vulnerable places. I’ve written from a personal place before, of course, but there was something particularly tender about the process this time, and it was a creative challenge to be brave enough to allow the music to remain as raw as it began” she says.
Writing and recording Love Letters has been an exercise in catharsis for Shankar, a “gentle, organic process” that saw her collaborating almost exclusively with female peers. During the toughest parts of that 2018-2019 period, Shankar found the practical and emotional support that her friends, fellow artists and performers offered became, quite naturally, artistic in nature.